The reading group session will focus on the sounds of war, liminality, and transcultural communities formed during periods of conflict. Drawing on a curated selection of recent contributions by multiple authors, we will explore the many facets of listening, hearing, and the multisensorial perception of war sounds, including music and sonic communication.
Chair: Alexandros Maria Hatzikiriakos (St Andrews)
Discussants: Linda Pearse (Mount Allison University), Deanna Pelleranno (Johannes Gutenberg University Mainz)
Basdurak, Nil. “The Soundscape of Islamic Populism: Auditory Publics, Silences and the Myth of Democracy.” SoundEffects – An Interdisciplinary Journal of Sound and Sound Experience 9, no. 1 (January 22, 2020): 132–48. https://doi.org/10.7146/se.v9i1.112804.
Daughtry, J. Martin. Listening to War: Sound, Music, Trauma and Survival in Wartime Iraq. New York: Oxford University Press, 2015 Introduction and (optional) Chapter 3 ‘Auditory Regimes’ https://doi.org/10.1093/acprof:oso/9780199361496.001.0001,
Linden, David van der. “The Sound of Memory: Acoustic Conflict and the Legacy of the French Wars of Religion in Seventeenth-Century Montpellier.” Early Modern French Studies 41, no. 1 (July 2019): 7–20.
Registration required: register here.