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X-WR-CALNAME:IMS Study Group “Auditory History”
X-ORIGINAL-URL:https://auditoryhistory.musicology.org
X-WR-CALDESC:Events for IMS Study Group “Auditory History”
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TZID:Europe/Paris
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DTSTART;TZID=Europe/Paris:20250515T160000
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DTSTAMP:20260419T050359
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UID:232-1747324800-1747332000@auditoryhistory.musicology.org
SUMMARY:Reading Group: Sounds of War
DESCRIPTION:Reading Sounds of War\nThe reading group session will focus on the sounds of war\, liminality\, and transcultural communities formed during periods of conflict. Drawing on a curated selection of recent contributions by multiple authors\, we will explore the many facets of listening\, hearing\, and the multisensorial perception of war sounds\, including music and sonic communication. \nChair: Alexandros Maria Hatzikiriakos (St Andrews)\nDiscussants: Linda Pearse (Mount Allison University)\, Deanna Pelleranno (Johannes Gutenberg University Mainz) \nKey reading:\n\nBasdurak\, Nil. “The Soundscape of Islamic Populism: Auditory Publics\, Silences and the Myth of Democracy.” SoundEffects – An Interdisciplinary Journal of Sound and Sound Experience 9\, no. 1 (January 22\, 2020): 132–48. https://doi.org/10.7146/se.v9i1.112804. \nDaughtry\, J. Martin. Listening to War: Sound\, Music\, Trauma and Survival in Wartime Iraq. New York: Oxford University Press\, 2015 Introduction and  (optional) Chapter 3 ‘Auditory Regimes’ https://doi.org/10.1093/acprof:oso/9780199361496.001.0001\, \nLinden\, David van der. “The Sound of Memory: Acoustic Conflict and the Legacy of the French Wars of Religion in Seventeenth-Century Montpellier.” Early Modern French Studies 41\, no. 1 (July 2019): 7–20. \n\nRegistration required: register here.
URL:https://auditoryhistory.musicology.org/event/reading-group-sounds-of-war/
LOCATION:Online
CATEGORIES:reading group
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DTSTART;TZID=Europe/Paris:20250410T160000
DTEND;TZID=Europe/Paris:20250410T170000
DTSTAMP:20260419T050359
CREATED:20250327T105514Z
LAST-MODIFIED:20250327T105514Z
UID:230-1744300800-1744304400@auditoryhistory.musicology.org
SUMMARY:Colloquium: Karl Kügle (Oxford) and Marc Lewon (Basel)
DESCRIPTION:VALSOUNDS. Reflections on the Digital Reconstruction of Early Valois Soundscapes \nFollowing a successful end of the transdisciplinary ERC-funded project at KU Leuven (2023-25)\, Karl Kügle (PI) and Marc Lewon will showcase the various stages of the research proecess and the auralisations created by the project. They will feature potential impact of archaeoacoustic research for the arts- and history-related humanities disciplines\, for the future of historically informed performance practices\, and for our approach to cultural heritage in the digital age.
URL:https://auditoryhistory.musicology.org/event/colloquium-karl-kugle-oxford-and-marc-lewon-basel/
LOCATION:Online
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DTSTART;TZID=Europe/Paris:20250310T160000
DTEND;TZID=Europe/Paris:20250310T170000
DTSTAMP:20260419T050359
CREATED:20250327T105110Z
LAST-MODIFIED:20250327T105110Z
UID:228-1741622400-1741626000@auditoryhistory.musicology.org
SUMMARY:Colloquium: Laudan Nooshin (London)
DESCRIPTION:Listening to Tehran: Sonic Palimpsests and Affective Historical Imaginaries \nThrough the more-than-sounds of sirens\, bombs and other sonic experiences during the missile strikes on Tehran in the later stages of the Iran-Iraq War (1980-88) in Azar Nafisi’s 2003 book\, Laudan Nooshin will investigate a profound entanglement of sound\, affect\, and memory\, and the intense somatic materiality of sound experienced through the entire body. Nooshin will draw on current research on the sound of Tehran to explore the entanglement and in particular the palimpsestic nature of historical soundspaces with their layered sonic archaeology.
URL:https://auditoryhistory.musicology.org/event/colloquium-laudan-nooshin-london/
LOCATION:Online
CATEGORIES:colloquium
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DTSTART;TZID=Europe/Paris:20250228T150000
DTEND;TZID=Europe/Paris:20250228T200000
DTSTAMP:20260419T050359
CREATED:20250327T103939Z
LAST-MODIFIED:20250327T103939Z
UID:217-1740754800-1740772800@auditoryhistory.musicology.org
SUMMARY:Auditory History Meets Deaf Studies: Sensory Disabilities Workshop
DESCRIPTION:This afternoon workshop investigates historical auditory experiences of those with varied degrees of hearing loss in the wide context of hearing as a multisensorial experience. The event will feature a keynote lecture by Rosamund Oates (Manchester) and five presentations by registered active participants\, followed by a lengthy discussion. The participation at the event is mandatory: for details and recommended reading\, consult the Call for Participants.
URL:https://auditoryhistory.musicology.org/event/auditory-history-meets-deaf-studies-sensory-disabilities-workshop/
LOCATION:Online
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