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X-ORIGINAL-URL:https://auditoryhistory.musicology.org
X-WR-CALDESC:Events for IMS Study Group “Auditory History”
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BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20251210T160000
DTEND;TZID=Europe/Helsinki:20251210T180000
DTSTAMP:20250905T150446Z
CREATED:20250905T150446Z
LAST-MODIFIED:20250905T150446Z
UID:402-1765382400-1765389600@auditoryhistory.musicology.org
SUMMARY:Colloquium: Julia Samp (Aachen) & Hannah Potthof (Chemnitz)
DESCRIPTION:Historical Perspectives on Medieval Sound(s) and Soundscapes \nHow do historians concieve sound\, think about it\, and do sound research? What can other disciplines\, namely musicology\, learn from historians’ approach? These questions will be addressed through two project presentations by Hannah Potthoff and Julia Samp\, who will present their dissertation projects considering medieval auditory perception\, interpretation\, and tradition. Their dissertations projects were funded by two DFG-funded projects\, “Belliphonie im Mittelalter” (TU Chemnitz\, 2021-2024) and “Lärm vor Dezibel” (RWTH Aachen University\, 2022-2025). \n\nMembers will receive the Zoom link automatically. If you are not a member of the group\, send us an email to receive a link.
URL:https://auditoryhistory.musicology.org/event/colloquium-julia-samp-aachen-hannah-potthof-chemnitz/
LOCATION:Online
CATEGORIES:colloquium
ORGANIZER;CN="IMS SG Auditory History":MAILTO:auditoryhistory@musicology.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20251212T000000
DTEND;TZID=Europe/Helsinki:20251213T235959
DTSTAMP:20251205T145456Z
CREATED:20251105T090335Z
LAST-MODIFIED:20251205T145456Z
UID:469-1765497600-1765670399@auditoryhistory.musicology.org
SUMMARY:5th International Conference "Power\, Identities and Images of Cities: Music and Ceremonial Books in Western Europe\, from the Middle Ages to Modernity"
DESCRIPTION:12-13 December\, 2025 | Malaga\, Spain | online\nParticipation is free of charge\, online and in person. Register here: http://u.uma.es/g9N/ \nThe focal point of this fifth edition of the International Conference Power\, identities and images of cities: Music and ceremonial books in Western Europe\, from the Middle Ages to Modernity (University of Málaga\, 12–13 December 2025\, online) is the study of royal proclamations and funerary ceremonies of the Spanish Bourbons during the period 1700–1843. These topics constitute the core of the research project Ad honorem regis (PID2024-160998NB-I00)\, funded by the Spanish National Research Plan with European funds\, and co-organizer of the conference together with the Faculty of Arts and Humanities of the University of Málaga. \nThe conference brings together international specialists to examine\, from the perspectives of Cultural History\, the History of Mentalities\, Art History\, and Musicology\, urban ceremonial practices\, visual and sonic languages\, and the forms of power representation deployed in royal proclamations and funerary celebrations held in various cities of peninsular Spain. It also explores the potential of Digital Humanities to reconsider and expand the traditional methodologies applied to the study of these phenomena\, particularly regarding the treatment and analysis of their sources. The event is supported by a range of scholarly societies\, cultural institutions\, and international research networks. \nThe programme is available here: Programme
URL:https://auditoryhistory.musicology.org/event/5th-international-conference-power-identities-and-images-of-cities-music-and-ceremonial-books-in-western-europe-from-the-middle-ages-to-modernity/
LOCATION:Online
CATEGORIES:conference
ATTACH;FMTTYPE=image/jpeg:https://auditoryhistory.musicology.org/wp-content/uploads/2025/12/V-Congreso-PIIC-05-2025-Cartel-definitivo-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260224T170000
DTEND;TZID=Europe/Paris:20260224T170000
DTSTAMP:20260128T161401Z
CREATED:20260128T131707Z
LAST-MODIFIED:20260128T161401Z
UID:539-1771952400-1771952400@auditoryhistory.musicology.org
SUMMARY:Colloquium: Sophia Rosenfeld (Pennsylvania)
DESCRIPTION:Historical Ear\, Auditory History\, and the Future \nThe opening session of the spring term introduces our central theme: what is auditory history\, what has become of the historical ear\, and what might we listen for next? S ophia Rosenfeld will map the field as it stands\, highlight questions likely to matter in 2026\, and set the tone for the term’s guiding debates.
URL:https://auditoryhistory.musicology.org/event/colloquium-sophia-rosenfeld-pennsylvania/
LOCATION:Online
CATEGORIES:colloquium
ORGANIZER;CN="IMS SG Auditory History":MAILTO:auditoryhistory@musicology.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20260318T000000
DTEND;TZID=Europe/Helsinki:20260321T235959
DTSTAMP:20250910T083716Z
CREATED:20250820T113745Z
LAST-MODIFIED:20250910T083716Z
UID:365-1773792000-1774137599@auditoryhistory.musicology.org
SUMMARY:Inaugural Conference: “The Historical Ear: What is Auditory History?”
DESCRIPTION:The University of Chicago John W. Boyer Center\, Paris\, France \nFor all details\, visit the conference webpage: https://auditoryhistory.musicology.org/conference/
URL:https://auditoryhistory.musicology.org/event/inaugural-conference-the-historical-ear-what-is-auditory-history/
LOCATION:The University of Chicago John W. Boyer Center\, 41 rue des Grands Moulins\, Paris\, 75013\, France
CATEGORIES:conference
ORGANIZER;CN="IMS SG Auditory History":MAILTO:auditoryhistory@musicology.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20260402T090000
DTEND;TZID=Europe/Helsinki:20260402T100000
DTSTAMP:20260128T131855Z
CREATED:20260128T131855Z
LAST-MODIFIED:20260128T131855Z
UID:542-1775120400-1775124000@auditoryhistory.musicology.org
SUMMARY:Colloquium: Jin Qiu (Melbourne)
DESCRIPTION:How We Used to Endure Noise: The Emergence of Auditory Order in Modern China \nIn this colloquium\, Jin Qiu will use Lao She’s 1930s short story Sound Film and other Republican-era novels\, diaries\, and memoirs to reconstruct early Chinese cinema as a sonically contested public space. Tracing loud talk\, commentary\, coughing\, and audience disputes—practices inherited from opera-theatre culture—they will show how silent spectatorship emerged as a historically produced discipline and how “noise” became newly framed as incivility.
URL:https://auditoryhistory.musicology.org/event/colloquium-jin-qiu-melbourne/
LOCATION:Online
CATEGORIES:colloquium
ORGANIZER;CN="IMS SG Auditory History":MAILTO:auditoryhistory@musicology.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20260518T160000
DTEND;TZID=Europe/Helsinki:20260518T180000
DTSTAMP:20260515T063930Z
CREATED:20260128T132351Z
LAST-MODIFIED:20260515T063930Z
UID:544-1779120000-1779127200@auditoryhistory.musicology.org
SUMMARY:Reading Group: Reading Sound\, Reading (with) the Historical Ear
DESCRIPTION:This reading group is a companion space to the March conference\, offering additonal time to return to think about\, and discuss the fundamental texts of auditory history. Registration is required: https://forms.gle/rofj6Te8PPiF4yDbA \nChair: Alexandros Maria Hatzikiriakos (Sheffield)\nDiscussants: TBA\nKey reading: TBA
URL:https://auditoryhistory.musicology.org/event/reading-group-reading-sound-reading-with-the-historical-ear/
LOCATION:Online
CATEGORIES:reading group
ORGANIZER;CN="IMS SG Auditory History":MAILTO:auditoryhistory@musicology.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260616T180000
DTEND;TZID=Europe/Paris:20260616T200000
DTSTAMP:20260128T183437Z
CREATED:20260128T132614Z
LAST-MODIFIED:20260128T183437Z
UID:546-1781632800-1781640000@auditoryhistory.musicology.org
SUMMARY:Panel: Subcontinental Sonorities
DESCRIPTION:Because of time zone issues\, the time of this event might change. We will inform about this change in time. \nSubcontinental Sonorities: Modernity\, Forms of Archives\, and the Politics of Listening \nThis panel brings together five papers that explore modernity\, archival memory\, and the politics of listening in the Indian subcontinent\, shaped by the complex histories of postcolonial South Asia. Convened by Nakshatra Chatterjee (IISER Bhopal\, India) with Budhaditya Chattopadhyay (University of Bergen)\, the panel features presentations by Chattopadhyay\, Chatterjee\, Sayan Dey (Bayan College\, Oman)\, Sebanti Chatterjee (SRM University–AP\, India)\, and Shikha Jhingan (Jawaharlal Nehru University\, India). Across these perspectives\, the panel shares a common interest in unpacking the manifold voices and sonorities of the region and its situated acoustemologies.
URL:https://auditoryhistory.musicology.org/event/panel-subcontinental-sonorities/
LOCATION:Online
CATEGORIES:colloquium,roundtable
ORGANIZER;CN="IMS SG Auditory History":MAILTO:auditoryhistory@musicology.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20260922T170000
DTEND;TZID=Europe/Zurich:20260922T183000
DTSTAMP:20260914T145730Z
CREATED:20260914T145730Z
LAST-MODIFIED:20260914T145730Z
UID:620-1790096400-1790101800@auditoryhistory.musicology.org
SUMMARY:General Assembly : Reflections & Directions
DESCRIPTION:Entering the fourth year of the Study Group\, we will reflect on the past and revisit future goals\, discussing recent news and future plans. This is a closed meeting accessible only to the official Study Group members. \nThe event time zone is set to CET. The link will be sent to members a day ahead.
URL:https://auditoryhistory.musicology.org/event/general-assembly-reflections-directions/
LOCATION:Online
CATEGORIES:general assembly
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20261022T160000
DTEND;TZID=Europe/Zurich:20261022T180000
DTSTAMP:20260914T150009Z
CREATED:20260914T150009Z
LAST-MODIFIED:20260914T150009Z
UID:622-1792684800-1792692000@auditoryhistory.musicology.org
SUMMARY:Colloquium: Early Career Auditory Research Forum
DESCRIPTION:What are early career auditory historians working on? This session will feature the five early career scholars and their research: Cassiopée Guillet (Paris) on the representation of hearing in sixteenth-century Netherlandish painting; Sophie Reiland (Paris) on the methodological obstacles in auditory research of unconventional towns; Laura Thorn (Cambridge) on music\, science\, and female community in Margaret Cavendish’s The Convent of Pleasure; Alizée Piel (Oslo) on travel writing and the perception of Kulokk in Scandinavia; and Eirini Manolopolou about representations of hearing in sixteenth- and seventeenth-century Ars Apodemica. \nThe ZOOM link will be sent to members a day before. If you wish to attend as an external\, send an email to auditoryhistory@musicology.org to obtain the link a day before.
URL:https://auditoryhistory.musicology.org/event/colloquium-early-career-auditory-research-forum/
LOCATION:Online
CATEGORIES:colloquium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20261130T170000
DTEND;TZID=Europe/Zurich:20261130T180000
DTSTAMP:20260914T150238Z
CREATED:20260914T150238Z
LAST-MODIFIED:20260914T150238Z
UID:626-1796058000-1796061600@auditoryhistory.musicology.org
SUMMARY:Reading Group: Reading Mariana J. López's Sonic Pasts
DESCRIPTION:This session focuses on Mariana J. López’s Sonic Pasts: Acoustical Heritage and Historical Soundscapes and its approaches to both research and dissemination. In conversation with the author\, we will explore how different disciplines study the sounds of the past and how those sounds are reconstructed\, mediated\, and made audible to contemporary listeners \nThe ZOOM link will be sent to members a day before. The event time is set to CET. Registration for the event is necessary\, register here: https://forms.gle/pmPGpq7tVf4Pyss56.
URL:https://auditoryhistory.musicology.org/event/reading-group-reading-mariana-j-lopezs-sonic-pasts/
LOCATION:Online
CATEGORIES:reading group
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20261217T170000
DTEND;TZID=Europe/Zurich:20261217T180000
DTSTAMP:20260914T150445Z
CREATED:20260914T150445Z
LAST-MODIFIED:20260914T150445Z
UID:628-1797526800-1797530400@auditoryhistory.musicology.org
SUMMARY:Colloquium: Reading about the Musics of Asia
DESCRIPTION:Tim Shephard (Sheffield) & Chenxi Xiao (Vancouver) \nThe last colloquium of the term will focus on the authors’ new book\, The Khan’s Pifferi: Reading about the Musics of Asia in Late Fifteenth-Century Italy (Open Book Publishers\, 2026)\, The session will examine how knowledge about the musics of Asia was read\, mediated\, and interpreted\, and what this reveals about broader processes of knowledge formation and Italian imaginative engagements with cultures beyond Europe. \nThe ZOOM link will be sent to members a day before. If you wish to attend as an external\, send an email to auditoryhistory@musicology.org to obtain the link a day before.
URL:https://auditoryhistory.musicology.org/event/colloquium-reading-about-the-musics-of-asia/
LOCATION:Online
CATEGORIES:colloquium
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