BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//IMS Study Group “Auditory History” - ECPv6.15.13//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://auditoryhistory.musicology.org
X-WR-CALDESC:Events for IMS Study Group “Auditory History”
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Helsinki
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20240331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20241027T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20250330T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20251026T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20260329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20261025T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20270328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20271031T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:Europe/Paris
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20250330T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20251026T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20260329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20261025T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20270328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20271031T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20251210T160000
DTEND;TZID=Europe/Helsinki:20251210T180000
DTSTAMP:20260419T124503
CREATED:20250905T150446Z
LAST-MODIFIED:20250905T150446Z
UID:402-1765382400-1765389600@auditoryhistory.musicology.org
SUMMARY:Colloquium: Julia Samp (Aachen) & Hannah Potthof (Chemnitz)
DESCRIPTION:Historical Perspectives on Medieval Sound(s) and Soundscapes \nHow do historians concieve sound\, think about it\, and do sound research? What can other disciplines\, namely musicology\, learn from historians’ approach? These questions will be addressed through two project presentations by Hannah Potthoff and Julia Samp\, who will present their dissertation projects considering medieval auditory perception\, interpretation\, and tradition. Their dissertations projects were funded by two DFG-funded projects\, “Belliphonie im Mittelalter” (TU Chemnitz\, 2021-2024) and “Lärm vor Dezibel” (RWTH Aachen University\, 2022-2025). \n\nMembers will receive the Zoom link automatically. If you are not a member of the group\, send us an email to receive a link.
URL:https://auditoryhistory.musicology.org/event/colloquium-julia-samp-aachen-hannah-potthof-chemnitz/
LOCATION:Online
CATEGORIES:colloquium
ORGANIZER;CN="IMS SG Auditory History":MAILTO:auditoryhistory@musicology.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20251212T000000
DTEND;TZID=Europe/Helsinki:20251213T235959
DTSTAMP:20260419T124503
CREATED:20251105T080335Z
LAST-MODIFIED:20251205T135456Z
UID:469-1765497600-1765670399@auditoryhistory.musicology.org
SUMMARY:5th International Conference "Power\, Identities and Images of Cities: Music and Ceremonial Books in Western Europe\, from the Middle Ages to Modernity"
DESCRIPTION:12-13 December\, 2025 | Malaga\, Spain | online\nParticipation is free of charge\, online and in person. Register here: http://u.uma.es/g9N/ \nThe focal point of this fifth edition of the International Conference Power\, identities and images of cities: Music and ceremonial books in Western Europe\, from the Middle Ages to Modernity (University of Málaga\, 12–13 December 2025\, online) is the study of royal proclamations and funerary ceremonies of the Spanish Bourbons during the period 1700–1843. These topics constitute the core of the research project Ad honorem regis (PID2024-160998NB-I00)\, funded by the Spanish National Research Plan with European funds\, and co-organizer of the conference together with the Faculty of Arts and Humanities of the University of Málaga. \nThe conference brings together international specialists to examine\, from the perspectives of Cultural History\, the History of Mentalities\, Art History\, and Musicology\, urban ceremonial practices\, visual and sonic languages\, and the forms of power representation deployed in royal proclamations and funerary celebrations held in various cities of peninsular Spain. It also explores the potential of Digital Humanities to reconsider and expand the traditional methodologies applied to the study of these phenomena\, particularly regarding the treatment and analysis of their sources. The event is supported by a range of scholarly societies\, cultural institutions\, and international research networks. \nThe programme is available here: Programme
URL:https://auditoryhistory.musicology.org/event/5th-international-conference-power-identities-and-images-of-cities-music-and-ceremonial-books-in-western-europe-from-the-middle-ages-to-modernity/
LOCATION:Online
CATEGORIES:conference
ATTACH;FMTTYPE=image/jpeg:https://auditoryhistory.musicology.org/wp-content/uploads/2025/12/V-Congreso-PIIC-05-2025-Cartel-definitivo-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260224T170000
DTEND;TZID=Europe/Paris:20260224T170000
DTSTAMP:20260419T124503
CREATED:20260128T121707Z
LAST-MODIFIED:20260128T151401Z
UID:539-1771952400-1771952400@auditoryhistory.musicology.org
SUMMARY:Colloquium: Sophia Rosenfeld (Pennsylvania)
DESCRIPTION:Historical Ear\, Auditory History\, and the Future \nThe opening session of the spring term introduces our central theme: what is auditory history\, what has become of the historical ear\, and what might we listen for next? S ophia Rosenfeld will map the field as it stands\, highlight questions likely to matter in 2026\, and set the tone for the term’s guiding debates.
URL:https://auditoryhistory.musicology.org/event/colloquium-sophia-rosenfeld-pennsylvania/
LOCATION:Online
CATEGORIES:colloquium
ORGANIZER;CN="IMS SG Auditory History":MAILTO:auditoryhistory@musicology.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20260318T000000
DTEND;TZID=Europe/Helsinki:20260321T235959
DTSTAMP:20260419T124503
CREATED:20250820T113745Z
LAST-MODIFIED:20250910T083716Z
UID:365-1773792000-1774137599@auditoryhistory.musicology.org
SUMMARY:Inaugural Conference: “The Historical Ear: What is Auditory History?”
DESCRIPTION:The University of Chicago John W. Boyer Center\, Paris\, France \nFor all details\, visit the conference webpage: https://auditoryhistory.musicology.org/conference/
URL:https://auditoryhistory.musicology.org/event/inaugural-conference-the-historical-ear-what-is-auditory-history/
LOCATION:The University of Chicago John W. Boyer Center\, 41 rue des Grands Moulins\, Paris\, 75013\, France
CATEGORIES:conference
ORGANIZER;CN="IMS SG Auditory History":MAILTO:auditoryhistory@musicology.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20260402T090000
DTEND;TZID=Europe/Helsinki:20260402T100000
DTSTAMP:20260419T124503
CREATED:20260128T121855Z
LAST-MODIFIED:20260128T121855Z
UID:542-1775120400-1775124000@auditoryhistory.musicology.org
SUMMARY:Colloquium: Jin Qiu (Melbourne)
DESCRIPTION:How We Used to Endure Noise: The Emergence of Auditory Order in Modern China \nIn this colloquium\, Jin Qiu will use Lao She’s 1930s short story Sound Film and other Republican-era novels\, diaries\, and memoirs to reconstruct early Chinese cinema as a sonically contested public space. Tracing loud talk\, commentary\, coughing\, and audience disputes—practices inherited from opera-theatre culture—they will show how silent spectatorship emerged as a historically produced discipline and how “noise” became newly framed as incivility.
URL:https://auditoryhistory.musicology.org/event/colloquium-jin-qiu-melbourne/
LOCATION:Online
CATEGORIES:colloquium
ORGANIZER;CN="IMS SG Auditory History":MAILTO:auditoryhistory@musicology.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260514T160000
DTEND;TZID=Europe/Paris:20260514T180000
DTSTAMP:20260419T124503
CREATED:20260128T122351Z
LAST-MODIFIED:20260128T122351Z
UID:544-1778774400-1778781600@auditoryhistory.musicology.org
SUMMARY:Reading Group: Reading Sound\, Reading (with) the Historical Ear
DESCRIPTION:This reading group is a companion space to the March conference\, offering additonal time to return to think about\, and discuss the fundamental texts of auditory history. Registration is required: https://forms.gle/rofj6Te8PPiF4yDbA \nChair: Alexandros Maria Hatzikiriakos (Sheffield)\nDiscussants: TBA\nKey reading: TBA
URL:https://auditoryhistory.musicology.org/event/reading-group-reading-sound-reading-with-the-historical-ear/
LOCATION:Online
CATEGORIES:reading group
ORGANIZER;CN="IMS SG Auditory History":MAILTO:auditoryhistory@musicology.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260616T180000
DTEND;TZID=Europe/Paris:20260616T200000
DTSTAMP:20260419T124503
CREATED:20260128T122614Z
LAST-MODIFIED:20260128T173437Z
UID:546-1781632800-1781640000@auditoryhistory.musicology.org
SUMMARY:Panel: Subcontinental Sonorities
DESCRIPTION:Because of time zone issues\, the time of this event might change. We will inform about this change in time. \nSubcontinental Sonorities: Modernity\, Forms of Archives\, and the Politics of Listening \nThis panel brings together five papers that explore modernity\, archival memory\, and the politics of listening in the Indian subcontinent\, shaped by the complex histories of postcolonial South Asia. Convened by Nakshatra Chatterjee (IISER Bhopal\, India) with Budhaditya Chattopadhyay (University of Bergen)\, the panel features presentations by Chattopadhyay\, Chatterjee\, Sayan Dey (Bayan College\, Oman)\, Sebanti Chatterjee (SRM University–AP\, India)\, and Shikha Jhingan (Jawaharlal Nehru University\, India). Across these perspectives\, the panel shares a common interest in unpacking the manifold voices and sonorities of the region and its situated acoustemologies.
URL:https://auditoryhistory.musicology.org/event/panel-subcontinental-sonorities/
LOCATION:Online
CATEGORIES:colloquium,roundtable
ORGANIZER;CN="IMS SG Auditory History":MAILTO:auditoryhistory@musicology.org
END:VEVENT
END:VCALENDAR